There's a nice long Chris Ware profile/interview from The Guardian here, in which Ware talks about his new book, Building Stories. It is about one unnamed woman, and consists of 14 stories which can be read in any order.
From the article:
"On stage he described the cartoon as a 'working-class art form' and an 'art of the people.' He expanded on this afterwards; beginning with a short-hand history of early comics from Rodolphe Töpffer to Richard Felton Outcault, he warmed to his theme. 'In America, it really exploded in the 1920s, in Chicago specifically, with the artists on the Chicago Tribune doing what were essentially serial stories that predated what would happen with radio and TV. And they were all about regular people. Take Gasoline Alley –- that strip suddenly became about real life, it had a continuing narrative and a warmth. They knew the readers of the newspaper were regular people who didn't want to be talked down to. That's appealing to me: it seems like the best possible America, the point at which the ideals coalesce into a popular art form that could actually be great."